Showing posts with label Johnny Cash. Show all posts
Showing posts with label Johnny Cash. Show all posts

Tuesday, January 29, 2013

Ten Great Recordings of Danny Boy






Celebrating cultural highlights of 1913...
Danny-blogging, essay 2 of 2
on the song "Danny Boy"





In celebration of the 100th anniversary of the song “Danny Boy,” here’s a tasty selection of “Danny Boy” recordings by some favorite artists.  Please understand:  This list is purely subjective as well as limited to songs that I can easily link to via YouTube.  I’m making no claims that these are “the best.”  I’m simply making a claim that:  I like them!

So here are ten versions of Danny Boy, presented in chronological order, with a bonus track at the end:


Judy Garland:  I prefer this 1940 version to the showier version that Garland did in 1955, also available on YouTube.  With “Danny Boy,” I tend to prefer the simpler versions, no frills needed.



Paul Robeson:  With a restrained piano accompaniment, Robeson’s sublime bass voice conveys great depths of meaning.  Proof that men don’t have to be tenors to do “Danny Boy” right!



Harry Belafonte:  Taking his time, Belafonte’s mellow timbre lingers in the air as the last note fades.  Performed at Carnegie Hall, it sounds more like he’s sharing the song privately one-on-one, perhaps comforting a loved one.



Mahalia Jackson:  Usually associated with gospel music, Jackson’s powerful voice searches each word for new shades of meaning.  In her hands, “Danny Boy” sounds like it was meant to be a gospel song.



The Pogues:  You don’t need to be pitch perfect to do a classic “Danny Boy.”  Shane  MacGowan sounds like he’s lived it and that’s what counts.



Frank Patterson:  Of all these versions, this one sounds “most right” to me—an Irish tenor pouring his heart out in song.  Pretty cool that it featured so memorably in Miller’s Crossing (1990), too!



Judy Collins:  Such a beautiful voice, singing a capella.  I love the absolute silence in the hall until the waves of applause at the end.



Johnny Cash:  This is from near the end of Cash’s life, when he was making every word count.



Sinead O’Connor:  I slightly prefer this live version to O’Connor’s recorded one.  On both, she includes a political last stanza that was inserted anonymously many years ago and has become something of a standard over time.



Celtic Woman:  When angels sing “Danny Boy”…

And the 11th bonus track...


Swedish Chef, Beaker, and Animal:  “Moving right along, here are three gifted singers who have all kissed the Blarney Stone…”  It’s the Leprechaun Brothers! 

Reference Sources

The Danny Boy Trivia Connection by Michael Robinson

© 2013 Lee Price

Wednesday, April 18, 2012

Inexhaustible Moments of 1955, Part 2

1955 blogging, part 2 of 5
Blues and Rags of 1955

In these long breaks between the signature 21 Essays series, I thought I might try a new feature focused on possibilities for future series.  I’ll spin the roulette wheel to pick a year (or set of years) and then brainstorm on some potential essay topics.

So... first up on the random year generator:  1955.  And here’s my second 1955 series possibility:  11 essays on “Folsom Prison Blues.”




“I shot a man in Reno/Just to watch him die.”  On his 1955 debut album, 23-year-old Johnny Cash nails an iconic lyric.  All it takes is just eleven words and a chugging acoustic rhythm.  So simple you’d think anyone could do it… How about 11 essays for these two lines, one essay for each terse word?

Leaving Reno for Termite Terrace (Hollywood home of Chuck Jones), my friend Dan Kocher reminds me that 1955 was the year of One Froggy Evening, with the debut performance of Michigan J. Frog:




The Fred Astaire of the frog world well deserves a spate of essays.

Over the next three days, I’ll be proposing some more 1955 ideas (with no promises that I’ll necessarily be getting to any of them…)  But I’m wide open to other suggestions.  Any ideas for 1955 movies, books, short stories, poems, songs, or other cultural artifacts that might inspire a good 21 Essays series?




Next blog series:  6 essays on Alfred Hitchcock’s Blackmail (1929)
as part of the  “For the Love of Film”
Film Preservation Blogathon
May 13-18, 2012




© 2012 Lee Price