Midwinter-blogging,
essay 6 of 12 blog entries on
“In the Bleak
Midwinter,” a poem by Christina Rossetti
Angels and Archangels
Watercolor Illustration by William Blake for
John
Source: Wikimedia Commons
|
Angels, archangels, cherubim, and seraphim crowd the
Enough for Him, whom cherubim
Worship night and day,
A breastful of milk
And a mangerful of hay;
Enough for Him, whom angels
Fall down before,
The ox and ass and camel
Which adore.
Angels and archangels
May have gathered there,
Cherubim and seraphim
Thronged the air,
But only His mother
In her maiden bliss,
Worshipped the Beloved
With a kiss.
Worship night and day,
A breastful of milk
And a mangerful of hay;
Enough for Him, whom angels
Fall down before,
The ox and ass and camel
Which adore.
Angels and archangels
May have gathered there,
Cherubim and seraphim
Thronged the air,
But only His mother
In her maiden bliss,
Worshipped the Beloved
With a kiss.
“In the Bleak
Midwinter,” stanzas 3-4
Christina
Rossetti
Rossetti was deeply knowledgeable about her Anglican faith
so we can trust her to tell a cherubim from a seraphim. She was also
well-read on her poetry, so she knew the literary angels of poets like George
Herbert, John Milton, and William Blake.
Since people nowadays aren’t
always up on angel lore, here are the basic distinctions:
Angels: The
umbrella term for all the spiritual beings that serve as God’s messengers.
Archangels: The
highest ranked angels.
Cherubim: Spiritual
beings with four faces (lion, ox, eagle, and man) and four wings.
Seraphim: Fiery six-winged spiritual beings that
surround God’s throne.
But even though they signal the holy presence, Rossetti’s
angels appear in just two stanzas only to be shunted aside in favor of the
terrestrial beings. The breastful of milk and the mangerful of hay rank higher
in importance than the worship of angels. Mary’s kiss is valued more
highly, too. And in my favorite comparison, the baby is content with the
ox, the ass, and the camel; the angels are present but they don’t
provide the contentment of the beasts.
“Birth of Christ,” oil on canvas, 1597,
by Federico Barocci (c. 1526-1612),
from the
Source: Wikimedia Commons
|
Rossetti seems prepared to begin judging the angels
now. She approves their presence as they crowd around the nativity, but
casts her lot with the ox, the ass, and the camel.
The Music Room
The Music Room
Isabel Suckling, known as the Choirgirl, sings “In the Bleak
Midwinter” Up until this point, all the performers in our Midwinter Music Room have sung the Gustav Holst arrangement. Isabel sings the equally beautiful Harold Darke arrangement.
Reference Sources
Poems of Christina
Rossetti, edited by William M. Rossetti
Selected Poems of
Christina Rossetti, edited by Marya Zaturenska
Christina Rossetti: A
Writer’s Life by Jan Marsh
The Achievement of
Christina Rossetti, edited by David A. Kent
Christina Rossetti
(Bloom’s Major Poets), edited by Harold Bloom
Christina Rossetti’s Faithful
Imagination by Dinah Roe
Christina Rossetti:
Faith, Gender and Time by Diane D’Amico
Genius by Harold
Bloom
The Man Who Invented
Christmas by Les Standiford
The Pre-Raphaelites
by Andrea Rose
Victorian Painting
by Christopher Wood
... and an occasional sneak glance at Wikipedia entries (but
always double-checking everything!)
© 2011 Lee Price
© 2011 Lee Price
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